Wednesday, 30 June 2010

[H533.Ebook] Ebook World War II: A Very Short Introduction (Very Short Introductions), by Gerhard L. Weinberg

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World War II: A Very Short Introduction (Very Short Introductions), by Gerhard L. Weinberg

The enormous loss of life and physical destruction caused by the First World War led people to hope that there would never be another such catastrophe. How then did it come to be that there was a Second World War causing twiceas much loss of life and more destruction than any other previous conflict?

In this Very Short Introduction, Gerhard L. Weinberg provides an introduction to the origins, course, and impact of the war on those who fought and the ordinary citizens who lived through it. Starting by looking at the inter-war years and the German invasion of Poland in September 1939, he examines how the war progressed by examining a number of key events, including the war in the West in 1940, Barbarossa, the German Invasion of the Soviet Union, the expansion of Japan's war with China, developments on the home front, and the Allied victory from 1944-45. Exploring the costs and effects of the war, Weinberg concludes by considering the long-lasting mark World War II has left on society today.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

  • Sales Rank: #73939 in Books
  • Brand: Weinberg, Gerhard L.
  • Published on: 2014-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.40" h x .50" w x 6.70" l, .37 pounds
  • Binding: Paperback
  • 144 pages

About the Author

Born in Hanover, Germany in 1928, Gerhard L. Weinberg spent from 1939 until September 1940 in England. He moved to the USA and in 1944. He worked on the War Documentation Project, establishing the project for microfilming and studying captured German documents. He has taught at the Universities of Kentucky, Michigan, and North Carolina, retiring in 1999. Weinberg has held numerous positions in professional organizations and has served on and chaired a number of US government advisory committees. His books have earned him a number of prizes, fellowships, and two honorary doctoral degrees.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A clear and revealing overview, valuable even to those who have studied the war
By W. D ONEIL
I've read scores of books about World War II, including Weinberg's A World at Arms: A Global History of World War II, which is the best single-volume history. Nothing this book covers was new to me, and yet I found it consistently interesting and revealing. Inevitably a book this brief can offer no more than the barest sketch of so broad a topic as the Second World War, but a sketch by a master such as Weinberg has its own special value, providing a clear view of the underlying structure neither distorted nor obscured by the mass of detail in a work such as A World at Arms. Weinberg is particularly good at drawing out the linkages and tradeoffs that connect seemingly separate theaters and operations, emphasizing that the war is more than a simple sum of separate parts. Seventeen high-quality sketch maps at an appropriate level of detail make it easy to follow the flow of the operations the book describes. There are no notes and one sometimes wonders about the basis for a particular judgment, but the sound and well-considered guide to further reading is helpful.

0 of 0 people found the following review helpful.
Excellent book
By Normand P. Phaneuf
Excellent book, covered the basics just right. I've read a lot of WW2 books and I still learned new stuff here. I liked how it delved into some of the back history.

0 of 0 people found the following review helpful.
Good
By EAH
Excellent short but concise history covering some major events. Not complete by any means but suitable as a refresher or introduction.

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Monday, 28 June 2010

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OBRAS COMPLETAS JORGE ISAACS VOL.I MARIA, by Jorge Isaac

  • Published on: 2005-01-01
  • Binding: Paperback

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Thursday, 24 June 2010

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  • Published on: 1600
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Saturday, 19 June 2010

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  • Binding: Hardcover

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Monday, 14 June 2010

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The Artists of Nathadwara: The Practice of Painting in Rajasthan, by Tryna Lyons

In this beautifully illustrated study, Tryna Lyons combines ethnographic and art historical methods to examine the work and careers of artists in Nathadwara, Rajasthan, India. The religious pilgrimage center of Nathadwara is home to a large community of traditional artists, who retain sketchbooks and other materials handed down in their families for generations. The old sketchbooks, still used to teach younger generations and to provide established artists with ideas, reveal the connection between contemporary practice and the historical antecedents of the Nathadwara school of painting. Lyons’s innovative approach focuses on analysis of the sketchbooks of five artists active in the late 19th and early 20th centuries, reproduced here in detail alongside full-color reproductions of their work and related images. The sketchbooks reveal personal style and innovation, demonstrating the array of choices open to artists in a time of cultural ferment and excitement. A section on women artists documents the careers of successful female exponents of the Nathadwara style. Appendixes include a glossary and a collection of artists’ genealogies, some stretching back 17 generations, recording significant information on artistic activities, commissions, and patronage. The Artists of Nathadwara should make us question Orientalist assumptions about tradition and the anonymity of South Asian artisans.

  • Sales Rank: #3135626 in Books
  • Published on: 2004-02-12
  • Released on: 2004-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.18" w x 8.00" l, 3.26 pounds
  • Binding: Hardcover
  • 360 pages

Review

"... This text provides myriad rewards for careful readers willing to accompany Lyons on her sometimes painstaking, but always faithful, illuminating, and deeply evocative journey into a period and place of unexpected creativity." —American Anthropologist, June 2008

(American Anthropologist 2008-01-00)

"Scholarly and well illustrated.... Recommended." —Library Journal

(Library Journal)

"Indepedent scholar Lyons reconstructed more than 15 years of the history of artisan families who practiced in the pilgrimage town of Nathadwara since the 19th century.... The author's style is informal and easy to read.... A unique book for students of Indian studies. Recommended." —Choice

(Choice)

"Delving into hard-to-find, hard-to-access, and hard-to-read records... Lyons has brought an enormous amount of new material to light from previously unknown sketchbooks, to her findings on women artists, to her extraordinary tracings of painter family history. She has made these artists too present to ignore, and many of our assumptions will have to make way to accommodate them." —caa.reviews

(caa.reviews)

"I thoroughly recommend this beautifully produced book to anyone interested in the development and practise of Indian painting as well as the lives of the painters." —Anne-Marie Gaston, Carleton University, Ethnologies, Volume 29, Number 1-2, 2007

(Anne-Marie Gaston, Carleton University Ethnologies 2007-01-00)

"Though this book is a delight to look through, and the text pleasantly light and welcoming to both scholar and general reader, there are important issues working under the surface of The Artists of Nathadwara: the face-off between folk art and traditional high culture; the presence in the artists' self-image of an imposed European aesthetic; artistic integrity and individualism within a system of religious patronage. Lyons does not so much evade these issues as nod gracefully to acknowledge them, then return to her exposition of the artists and the objects they produced." —Diane Johnson, Western Washington University, JRNL AMERICAN ORIENTAL SOCIETY ANE, Oct.-Dec. 2007

(Diane Johnson, Western Washington University JRNL AMERICAN ORIENTAL SOCIETY ANE 2007-01-00)

"The Artists of Nathadwara is a rich and beautifully rendered consideration of the work and lives of artists inhabiting the pilgrimage center of Nathadwara (Rajasthan, India) in the late 19th and early 20th centuries." —Jeffrey G. Snodgrass, Colorado State University, AMERICAN ANTHROPOLOGIST, Vol. 110.2 June 2008

(Jeffrey G. Snodgrass, Colorado State University AMERICAN ANTHROPOLOGIST 2008-01-00)

"Tryna Lyons’s The Artists of Nathadwara vividly renders a community of traditional painters. It brings to life a profession that the field of South Asian art studies has tended to sidestep in its focus on objects... By interviewing living artists from Nathadwara and studying late nineteenth- and early twentieth-century Nathadwara painters whose notebooks exist and whose descendents remember them, Lyons finally turns the field of Indian painting studies toward the artists’ perspectives, with the result that we begin to see the painter’s profession in a very different light." —caa.reviews

(caa.reviews)

From the Publisher
A richly illustrated look at the lives and careers of North Indian artists that combines ethnographic and art historical methods, and calls into question Orientalist assumptions about tradition and the anonymity of South Asian artisans.The religious pilgrimage center of Nathadwara is home to a large community of traditional artists, who retain sketchbooks and other materials handed down in their families for generations.

About the Author

Tryna Lyons has taught at the University of Washington, the University of Vermont, and the University of California, Berkeley. She lives in Seattle.

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10 of 10 people found the following review helpful.
Exquisite study of a little-known sacred art
By Aimee Brant
This book is a thoroughgoing, well-rounded study of the artists of Nathadwara town in Rajasthan, India, and of their various art productions and practices: a rigorous and innovative ethnography of living and deceased painters and painting in the Pushtimarg tradition of Vaisnavism. The book design is a delight, with its miniature drawings from Nathadwara art motifs placed on the pages and also at the end of each chapter, plus the beautifully printed color (and B&W) illustrations-a true feast for the eyes.

In her Introduction the author situates the art in relation to previous scholarship, then briefly surveys the history of Pushtimarg and how it became settled in Rajasthan, the role of the picchavai in this tradition, the question of whether it is art or folk art, and the scope of the study.

The next nine chapters intensively discuss the following topics: Mural paintings by Nathadwara artists; artists' workshops at turn-of-the-century; a glimpse of the temple in old Bombay based on an artist's sketchbook; artist families as frameworks for the evolution of style; an artist's eye to the future as exemplified in a sketchbook; the influence of British stylistics on an England-returned master artist; the women artists of Nathadwara; artists' histories and myths of caste and kin and location, and the genealogists who maintain and also invent them to please their patrons; and a conclusion that surveys issues of religion in relation to art and life in Nathadwara, artist views on aesthetic excellence, and younger artists' experimentation with other kinds of painting.

Throughout her in-depth examination of art and art making based on interviews, photographing art on location, studying rare artist sketchbooks, and extensive travels to important sites in and away from Nathadwara, the author reveals the many ways in which the artists of Nathadwara experience and fulfill their religious devotion in their works.

I highly recommend this beautiful as well as impressive book as a resource for Vaisnava studies as well as for historians of traditional arts on the Indian sub-continent.

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Wednesday, 9 June 2010

[Q755.Ebook] Download PDF A Perfect Crime, by A Yi

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A Perfect Crime, by A Yi

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A Perfect Crime, by A Yi

"Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling."
—World Literature Today


On a normal day in provincial China, a teenager goes about his regular business, but he’s also planning the brutal murder of his only friend. He lures her over, strangles her, stuffs her body into the washing machine and flees town, whereupon a perilous game of cat-and-mouse begins.

A shocking investigation into the despair that traps the rural poor as well as a technically brilliant excursion into the claustrophobic realm of classic horror and suspense, A Perfect Crime is a thrilling and stylish novel about a motiveless murder that echoes Kafka’s absurdism, Camus’ nihilism and Dostoyevsky’s depravity.

  • Sales Rank: #1331835 in Books
  • Brand: Yi, A./ Holmwood, Anna (TRN)
  • Published on: 2015-06-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.90" h x 1.00" w x 5.10" l, .77 pounds
  • Binding: Hardcover
  • 208 pages

Review
"One of the most talked about writers of fiction in China.... What lends A Yi's writing its power is the way it is informed by his work as a policeman — a career that constantly exposed him to the country's grubby underworld. In this way, the book calls to mind 19th-century French Modernists like Baudelaire and Rimbaud who shared a profound disgust for their society's conventional values, or C�line, a descendant of theirs who took their biting cynicism to a whole new level. As with A Yi, they each responded to their society's newfound industrial wealth with a contemptuous: That's all?"
—Howard French in The Wall Street Journal

"Tightly crafted … less a traditional catch-him-if-you-can crime caper and more a psychological probe into a pathological mind. Rather than cliff-hangers or plot twists, it’s the pulsating inner zeal of this nihilistic 19-year-old that gives the book its verve…. The author’s background has provided him with rich pickings to portray China, both in the grim, claustrophobic poverty of rural life and later in the corrupt actions of the lawyers and police.... A PERFECT CRIME may be anchored in Chinese society, but its existential crisis is universal. "
—Clarissa Sebag-Montefiore in The Wall Street Journal

"A former police officer who writes from experience, A Yi excels in his vivid, sordid portrait of contemporary China. It's a heartbreaking tale of a rotten, alienated society fueled by greed - a nation in moral crisis."
—South China Morning Post

"A terrifying, technically flawless account of moral darkness within the contemporary People's Republic, by one of mainland China's most accomplished and promising young novelists."
—Julia Lovell, The Opium War: Drugs, Dreams and the Making of China

"Doused in blood and gushing with ethical conundrums, A Yi’s A PERFECT CRIME is a disconcerting medley of misanthropy, escapism, and media monstrosities. Woven from tales garnered in the author’s previous career in law enforcement, Yi’s psychological insights are frequently bookended by realistic renditions of urban China’s legal processes. Where Anthony Burgess sought to conjure a world of abstract flair and inexplicable cruelty in A Clockwork Orange, Yi strikes a far deeper chord, delving into the mind of a youth whose lethal motivations are abundantly and undeniably troubling.
—World Literature Today

“A Yi is one of the most gifted Chinese authors in recent times.”
—Nobel Prize winning poet, Bei Dao

"This impressively nasty account of a motiveless murder could well be said to mark a fiendishly clever point where Albert Camus nods benignly to Bret Easton Ellis.... It is as much about the society in which it takes place as it is about the killer or the crime.”
—The Irish Times

"A Yi's isolated narrator is equal parts calculating monster and forsaken victim: deserted, neglected, and ignored, he finds that his only means of feeling alive is to engender death. This austere English PEN Award winner offers an exponentially more chilling alternative to the plethora of dystopic titles; fans of Mo Yan, Yu Hua, Fuminori Nakamura, and even Keigo Higashino will surely find resonating, realistic terror here."
—Library Journal

"Yi, a former police officer, is slowly rising to prominence on the literary scene in China, where this novel was published in 2011. It seems a commentary on both the culture and on the amorality and emotional detachment of one individual in it. "
—Booklist

About the Author
A Yi is a Chinese author born in 1976. After spending five years as a police officer, he quit to become the editor-in-chief of the bi-monthly literary magazine Chutzpah. He has written two collections of short stories, Grey Stories and The Bird Saw Me, some of which have been published in Granta and The Guardian, and he was nominated for the People’s Literature Short Stories prestigious award for Top Twenty Literary Giants of the Future in 2010. A Perfect Crime was published in China in 2011. He lives in Beijing.

Anna Holmwood translates literature from Chinese and Swedish to English. She was awarded one of the first British Centre for Literary Translation mentorship awards in 2010 and has since translated two novels, countless short stories for publication and samples for agents and rights sellers. She is currently working on a major series of Chinese martial arts novels by Jin Yong for MacLehose Press. In 2011 she cofounded the Emerging Translators’ Network to support early career translators, and was elected to the UK Translators Association committee in 2012. She lives in China.

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2 of 2 people found the following review helpful.
excellent and perceptive work
By Cobbett
The book's flap correctly points out some similarities with Kafka, Camus, and Dostoeyvsky; readers of these authors will be able to recognize the similarities. The translation does seem to be a bit awkward in places, but I cannot be sure of this, since I cannot read the book in the original language. The story is tight, and puzzling in parts. And the author creates many interesting metaphors. The story expresses a deeply and astutely perceived philosophy. The end explains what you did not understand earlier . . . "and when all that will be left is dancing dust."

0 of 0 people found the following review helpful.
A Perfect Crime by A Yi delves into the troubled mind ...
By boredandblue
A Perfect Crime by A Yi delves into the troubled mind of a psychopath attempting to find meaning in a society he considers dehumanizing. The story begins as he concludes his only course of action is to commit the perfect murder. The existential crisis presented is similar to Crime and Punishment, and the like, but darker. It is a genuinely creepy and disturbing book. Despite that creepiness, it is hard to put down.

The book occasionally suffers from being a translation from the original Chinese, but Yi’s voice still comes through. He writes about a world of where technology is a “whore” that lures us to believe that meaningfulness is defined by the time spent on the news cycle. His wry observations of the absurd recall Vonnegut.

I want to thank Point Blank Press for giving me the opportunity to read this book. Disclaimer: The publisher gave me an advanced copy in exchange for this review.

2 of 3 people found the following review helpful.
imperfect editing
By Hande Z
The young protagonist kills his classmate. The murder has no apparent motive but when the story reaches its ending the reason for the killing becomes clear. The story begins with a crime and then a hunt by the police for the killer; the tension and suspense are not immense but sufficiently tight to captivate the reader. The end of the tale, which is the best part of the book, takes on a deep philosophical and sociological examination of life and death. The protagonist’s senseless and wanton killing of Kong Jie is intended to demonstrate the meaninglessness of life. He emphasises this point by the careless disregard for his own life. Kong Jie is dead, so what? He is going to be executed, so what? The ultimate point, is, what about the rest of us? What about life itself? In the context of the overall picture of the vast and timeless universe, what is life? What is life when even the most magnificent stars also burn themselves out? It is only a matter of time. That is also the same point Camus was making in his version of a similar theme in ‘The Stranger’.

This English translation conveys the story and meaning well but there are pockets in which the translator seemed to have taken the Chinese text literally rendering the translation a little awkward. For example, it is not clear whether the line 'She was probably out of battery or spending time with her friends' was spoken by the victim's mother or the killer. The phrase 'out of battery' might have been a reference to Kong Jie’s cell-phone but the sentence as produced is too colloquial (when the context does not suggest that it was a colloquial statement). At various other places, the use of the word 'they' is not clear who it was meant to refer to.

There is also a misspelling of 'my butt' as 'by butt'. "Ma paid her back a long [time] ago' had the word 'time' missing. These are faults of the editorial team rather than the author or translator and mar what would have been a perfectly enchanting book.

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Thursday, 3 June 2010

[U716.Ebook] PDF Download The Command of The Air (USAF Warrior Studies), by Giulio Douhet

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The Command of The Air (USAF Warrior Studies), by Giulio Douhet

This reprint of the 1942 English translation of Douhet's works, while titled “Command of the Air”, actually consists of five separate works: the original 1921 edition of “Command of the Air”, a second edition of 1927, a 1928 monograph titled “Probable Aspects of Future War”, a polemical article of 1929 called “Recapitulation”' and the 1930 study “The War of 19-.” By transporting ourselves back to the 1920s, past not only the Vietnam and Korean Wars, but nearly two decades before World War II, we become silent observers of the unfolding drama of airpower's history. Knowing that transpired after Douhet wrote, we can test our understanding, find the assumptions and conclusions of Douhet that proved false, and read with wonder those that proved true. Some of what he wrote today seems almost timeless, 'principles' perhaps of the employment of aircraft in war. Giulio Douhet was a prophet. From the perspective of today, he still bears pondering. Serious thinking about the nature of war and the role of aerospace power will not in our lifetime cease to be of value.

  • Sales Rank: #919097 in Books
  • Published on: 2015-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .93" w x 7.00" l, 1.56 pounds
  • Binding: Paperback
  • 410 pages

Review

“The Italian General Giulio Douhet reigns as one of the twentieth century’s foremost strategic air power theorists. Along with William ‘Billy’ Mitchell, Douhet understood that the technological advances in weaponry made during World War I were not fully utilized by Allied commanders. Douhet thus spent the decade after the war constructing a theory that would facilitate the strategic use of what he conceived to be the biggest technological breakthrough of all, the airplane. As such scholars as Raymond Flugel have pointed out, Douhet’s theories were crucial at a pivotal pre-World War II Army Air Force institution, the Air Corps Tactical School.”

— Michael J. Eula, Air University Review



“Giulio Douhet’s The Command of the Air is a military classic. It was the first detailed analysis of the offensive and defensive employment of the air weapon. Published in
1921, The Command of the Air asserted the decisiveness of strategic bombardment before Billy Mitchell and other air leaders had given that subject any detailed thought.
The 1927 edition . . . contains Douhet’s fully developed thesis on how to use the air weapon to achieve victory. Subsequently translated into English, French, German,
and Russian, it stimulated the thinking of aviators in various countries prior to World War II.”
—Col. John F. Shiner, Air University Review

Language Notes
Text: English, Italian (translation)

About the Author
Richard H. Kohn is Professor of History at the University of North Carolina at Chapel Hill.

Richard H. Kohn is Professor of History at the University of North Carolina at Chapel Hill.

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12 of 12 people found the following review helpful.
Cited more than quoted, quoted more than read
By E. M. Van Court
I recently read Benjamin Lambeth's Air Power Against Terror, a study of the first seven or eight months after 9/11, with emphasis of the ousting of the Taliban and other air operations in Afghanistan. All the thoughts and theories that I had always heard credited to Guilio Douhet seemed to be vindicated by the success of the operations in Afghanistan. Then it dawned on me, I had only taken other people's word for what Douhet had said and meant. This is easily fixed. In addition to the Air University's edition, the complete translation of Douhet's Command of the Air with the 1928 additions appears in Roots of Strategy Book 4.

Douhet was a visionary, and like most true visionaries got almost as much wrong as he got right. It would be very easy to focus on the arbitrary and unrealistic organization of an independant air force, campaign planning, and battle damage assessment theories, but it would be equally easy to ignore that in 1921, Douhet was advocating a joint organization for a nation's forces, something that didn't really happen in the U.S. until the 1980s, and is still not as far along as it should be. The general principles of air power laid down be Douhet are remarkably similar to the "10 Propositions Regarding Air Power" by Phillip S Meilinger, suggesting that Douhet has weathered the decades well.

Rather than nitpick the arbitrary nature of Douhet's 'units of destruction' and 'bombing units' (which I would accept as hypothetical numbers for discussion rather than rigid projections), I think the underlying conceptual shortcomings are more interesting.

-Douhet assumed that symetrical or semi-symetrical conflict between industrial powers were all that mattered. Even in 1928, colonial fights, insurgencies, revolutions etc had started to disrupt the nature of conflict. There is an element of irony in a leader with a transformational vision missing an enviromental element that should have been considered (especially after the 'regime change' in Russia in 1918).

-Douhet didn't understand human nature. He firmly believed that strategic bombing would break the will of a nation. This simply isn't true, as demonstrated in WWII, Viet Nam, Serbia, and Palestine, to name a few cases after the writing of 'Command of the Air'. He did, however, understand that a nation's -capability- to fight could be greatly diminished through the use of air power, as was demonstrated in WWII, Operation Rolling Thunder II in Viet Nam, Serbia, Iraq, and Afghanistan.

-Douhet didn't understand human nature. He didn't acknowledge propaganda, information campaigns, or media as an adjunct of conflict. The will of the people is a valid target, but lethal weapons are extremely ineffective in altering it. Information operations, however...

-Douhet underestimated technology. This is counterintuitive, but there it is. He was somewhat pessimistic about improvements in accuracy of air ordnance, and modern precision munitions with 2m CEP were beyond his wildest flights of fancy, but make his vision much more plausible. I won't go into altitudes he discusses, versus modern air machines, or unmanned aircraft. His pessismism about technology is especially ironic as he firmly understood that air power is technology driven.

-He says the right things about a joint military, but never addresses how soldiers on the ground can make aircraft more effective. This is probably driven by the challenges of ground to air communication in 1928, but even then, wireless telephony was steadily improving, and he could have speculated about forward air controllers and elite ground units coordinating with air craft.

This was an interesting bit of history, and a fairly enjoyable read. Douhet was passionate about air power and aircraft, and had a grand vision that had more correct than not (even though some of the correct points are ignored by air power advocates these days). This book is an important text if you want to understand modern air power and how we got here.

E. M. Van Court

7 of 9 people found the following review helpful.
Douhet's Command of the Air
By A Customer
This book truly shows the beginnings of Air Power theories. This book was written in an attempt to talk the Italian government into using Airpower as a new weapon. Douhet initially failed in this venture, but the Italians later realized their mistake. While the views and opinions of Douhet are at times extremely different from airpower today, and may seem a little ridiculous, this is certainly excellent reading for those who wish to begin learning about the origins of airpower theory.

1 of 1 people found the following review helpful.
A must-have addition to your military history library.
By TomHunter1968
No matter where you buy this book, if you are interested in military history, particularly in the use of strategic air power, this is a must have read for your library. Douhet was one of the most influential thinkers in the history of military air power and its potential to influence the overall outcome of a war, and is studied even today by air forces worldwide, as well as the mandatory reading lists at the US military academies.

Personally, I consider this work to be on the same shelf as Clausewitz and Sun Tzu, though obviously the former dealt much more in theory than does Douhet, whose writings are more "operational" and practical. Regardless, this is a military classic and I think it is essential for anyone seeking to understand the role of air power in state vs state warfare.

One can debate whether Douhet's theories were and are valid (and goodness knows, they are); however, I don't think his influence on the potential and employment of strategic air power can be denied.

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